Image du cadre
137
Serge Poliakoff
Composition abstraite, 1965.
Oil on canvas
Estimation:
€ 50,000 / $ 55,000 Résultat:
€ 152,400 / $ 167,640 ( frais d'adjudication compris)
Composition abstraite. 1965.
Oil on canvas.
Lower right monogrammed. Signed on the reverse. 38 x 46 cm (14.9 x 18.1 in). [JS].
• Powerful and dense composition from the best creative period.
• The characteristic Poliakoff colors red and blue in a fascinating balance.
• Rare composition based solely on the contrast of two colors.
• Part of a German private collection for 40 years.
• Paintings from this work phase are in renowend international collections like the Museum of Modern Art, New York, and Tate Modern, London.
The work is documented in the Poliakoff Archive, Paris, under the number 965092.
PROVENANCE: Galerie Stangl, Munich (stamp on the stretcher).
Private collection Southern Germany (acquired from the above).
LITERATURE: Alexis Poliakoff, Serge Poliakoff. Catalogue raisonné, vol. IV, 1963-1965, Paris 2012, p. 242, no. 65-17 (black-and-white illu.).
"Many people say that there is nothing to see in abstract painting. If it were up to me, I could live three times longer and still not have said everything I see."
Serge Poliakoff, quoted from: Künstler. Kritisches Lexikon der Gegenwartskunst, Issue 31, no. 21, III 1995, p. 2.
Oil on canvas.
Lower right monogrammed. Signed on the reverse. 38 x 46 cm (14.9 x 18.1 in). [JS].
• Powerful and dense composition from the best creative period.
• The characteristic Poliakoff colors red and blue in a fascinating balance.
• Rare composition based solely on the contrast of two colors.
• Part of a German private collection for 40 years.
• Paintings from this work phase are in renowend international collections like the Museum of Modern Art, New York, and Tate Modern, London.
The work is documented in the Poliakoff Archive, Paris, under the number 965092.
PROVENANCE: Galerie Stangl, Munich (stamp on the stretcher).
Private collection Southern Germany (acquired from the above).
LITERATURE: Alexis Poliakoff, Serge Poliakoff. Catalogue raisonné, vol. IV, 1963-1965, Paris 2012, p. 242, no. 65-17 (black-and-white illu.).
"Many people say that there is nothing to see in abstract painting. If it were up to me, I could live three times longer and still not have said everything I see."
Serge Poliakoff, quoted from: Künstler. Kritisches Lexikon der Gegenwartskunst, Issue 31, no. 21, III 1995, p. 2.
After figurative beginnings, Serge Poliakoff, who is regarded one of the most important protagonists of European Color Field Painting today, began to pursued an abstract path in the 1940s and eventually attained his characteristic style of clearly contoured, gently interlocking color fields around 1950. Our composition, developed from just two colors, is one of the particularly condensed creations by the artist whose painting is based on color, space, proportion and rhythm. The contours of the interlocking color fields are always slightly curved and thus carry a barely noticeable tension that is nevertheless decisive for the unique dynamics of the composition. It is usually the forms’ increasing density towards the center, together with the nuanced colors, that makes for the unique harmony of Poliakoff's painterly work. Our composition, however, is arranged in the opposite direction; the center, which appears almost empty, creates an exciting awareness of the absence of form and is surrounded by the color forms that stabilize it in a gently modulated red. With immeasurable creative power, Poliakoff's unique compositions allow us to experience the individual effect and interaction of the colors and thus the sheer unlimited emotional expressiveness of abstract painting. Each of Poliakoff's masterfully conceived compositions has its own unmistakable character, its very own emotions. [JS]
137
Serge Poliakoff
Composition abstraite, 1965.
Oil on canvas
Estimation:
€ 50,000 / $ 55,000 Résultat:
€ 152,400 / $ 167,640 ( frais d'adjudication compris)