Lot 38
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Image du cadre
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Autre image
Raumbeispiel
38
Alexej von Jawlensky
Spanische Tänzerin, 1909.
Oil on cardboard
Estimation: € 7,000,000 / $ 7,490,000
Spanische Tänzerin. 1909.
Oil on cardboard.
Signed and dated in the upper left. 100 x 69.5 cm (39.3 x 27.3 in).
With the expressionist Murnau landscape from the same year on the reverse. Jawlensky also used this highly abstract landscape motif in a smaller format in the painting “Murnauer Landschaft”, today part of the collection of the 'Städtische Galerie im Lenbachhaus', Munich (Murnauer Landschaft, 1909, 50.4 x 54.5 cm, catalogue raisonné no. 283). [JS].
• Jawlensky's portraits from 1909 and 1910 are considered milestones of European Modernism.
• “Spanish Dancer” - a masterpiece of unbridled expressionist quality, comparable to Jawlensky's famous “Portrait of the Dancer Aleksandr Sakharov” (1909, Lenbachhaus Munich).
• Almost all of the paintings from this short creative phase that is characterized by strong colors are owned by international museums today.
• Alongside “Girl with Peonies” (Von der Heydt-Museum, Wuppertal) and “Red Lips” (lost), this is the largest painting from this important work phase.
• Both sides were painted during Jawlensky's best creative period: the reverse shows a bright and highly abstract Murnau landscape from 1909.
• Shortly after it was made, it became part of the important modern art collection of Josef Gottschalk in Düsseldorf, and remained in the family for over nine decades.
• The “Blue Rider” is currently honored with a comprehensive exhibition at the Tate Modern (until October 2024).
Export of the work from Germany will be possible.
PROVENANCE: Josef Gottschalk Collection, Düsseldorf ( possibly acquired from Flechtheim in 1919, until 1941).
Emma Gottschalk Collection, Düsseldorf ( inherited from the above in 1941, until 1954).
Private collection Rhineland ( inherited from the above in 1954, family-owned until 2017: Galerie Thomas).
Galerie Thomas, Munich (2017).
Private collection Europe (acquired from the above in 2017).
EXHIBITION: Possibly: Auf dem Wege zur Kunst unserer Zeit. Vorkriegsbilder und Bildwerke, Galerie Alfred Flechtheim, Düsseldorf Königsallee, July 27 - August 16, 1919, cat. no. 65 ( not illustrated).
Öffentliche Ausstellung der Sammlung Gottschalk, Glücksburger Straße 2, Düsseldorf, 1946/47 (without a catalog).
Alexej von Jawlensky. El paisaje del rostro, Fundación Mapfre, Madrid, February 9 - May 9, 2021, cat. no. 18, p. 290 (with full-page color illu. on p. 120).
LITERATURE: Maria Jawlensky, Lucia Pieroni-Jawlensky, Angelica Jawlensky, Alexej von Jawlensky. Catalogue Raisonné of the Oil Paintings, vol. 1: 1890-1914, Munich 1991, no. 239 (illustrated in black and white on the front and back).
- -
Cf. on the landscape on the reverse: Alexej von Jawlensky-Archiv (ed.), Reihe Bild und Wissenschaft. Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys, vol. 3, Ascona 2009, pp. 150-151 (fig. 14, reverse).
ARCHIVE MATERIAL:
Düsseldorf Municipal Archives, no. 0-1-4-22016.0000, “Modern Art” collection of Emma Gottschalk, pp. 563-565 (on the exhibition of the Gottschalk Collection, 1946/47).
Düsseldorf Municipal Archives, no. 0-1-4-3907.0000, Gottschalk Painting Collection, p. 165 (on the exhibition of the Gottschalk Collection, 1946/47).
"There are only very few paintings by Alexej von Jawlensky showcasing this level of quality, and most of them have been museum-owned for many decades. [..] The 'Spanish Dancer' is one of those few exceptional Jawlensky paintings that have made for the artist's worldwide fame today, just as they caused a sensation and provided inspiration back then."
Roman Zieglgänsberger
Modern Art Curator, Museum Wiesbaden
Called up: June 7, 2024 - ca. 18.14 h +/- 20 min.
Oil on cardboard.
Signed and dated in the upper left. 100 x 69.5 cm (39.3 x 27.3 in).
With the expressionist Murnau landscape from the same year on the reverse. Jawlensky also used this highly abstract landscape motif in a smaller format in the painting “Murnauer Landschaft”, today part of the collection of the 'Städtische Galerie im Lenbachhaus', Munich (Murnauer Landschaft, 1909, 50.4 x 54.5 cm, catalogue raisonné no. 283). [JS].
• Jawlensky's portraits from 1909 and 1910 are considered milestones of European Modernism.
• “Spanish Dancer” - a masterpiece of unbridled expressionist quality, comparable to Jawlensky's famous “Portrait of the Dancer Aleksandr Sakharov” (1909, Lenbachhaus Munich).
• Almost all of the paintings from this short creative phase that is characterized by strong colors are owned by international museums today.
• Alongside “Girl with Peonies” (Von der Heydt-Museum, Wuppertal) and “Red Lips” (lost), this is the largest painting from this important work phase.
• Both sides were painted during Jawlensky's best creative period: the reverse shows a bright and highly abstract Murnau landscape from 1909.
• Shortly after it was made, it became part of the important modern art collection of Josef Gottschalk in Düsseldorf, and remained in the family for over nine decades.
• The “Blue Rider” is currently honored with a comprehensive exhibition at the Tate Modern (until October 2024).
Export of the work from Germany will be possible.
PROVENANCE: Josef Gottschalk Collection, Düsseldorf ( possibly acquired from Flechtheim in 1919, until 1941).
Emma Gottschalk Collection, Düsseldorf ( inherited from the above in 1941, until 1954).
Private collection Rhineland ( inherited from the above in 1954, family-owned until 2017: Galerie Thomas).
Galerie Thomas, Munich (2017).
Private collection Europe (acquired from the above in 2017).
EXHIBITION: Possibly: Auf dem Wege zur Kunst unserer Zeit. Vorkriegsbilder und Bildwerke, Galerie Alfred Flechtheim, Düsseldorf Königsallee, July 27 - August 16, 1919, cat. no. 65 ( not illustrated).
Öffentliche Ausstellung der Sammlung Gottschalk, Glücksburger Straße 2, Düsseldorf, 1946/47 (without a catalog).
Alexej von Jawlensky. El paisaje del rostro, Fundación Mapfre, Madrid, February 9 - May 9, 2021, cat. no. 18, p. 290 (with full-page color illu. on p. 120).
LITERATURE: Maria Jawlensky, Lucia Pieroni-Jawlensky, Angelica Jawlensky, Alexej von Jawlensky. Catalogue Raisonné of the Oil Paintings, vol. 1: 1890-1914, Munich 1991, no. 239 (illustrated in black and white on the front and back).
- -
Cf. on the landscape on the reverse: Alexej von Jawlensky-Archiv (ed.), Reihe Bild und Wissenschaft. Forschungsbeiträge zu Leben und Werk Alexej von Jawlenskys, vol. 3, Ascona 2009, pp. 150-151 (fig. 14, reverse).
ARCHIVE MATERIAL:
Düsseldorf Municipal Archives, no. 0-1-4-22016.0000, “Modern Art” collection of Emma Gottschalk, pp. 563-565 (on the exhibition of the Gottschalk Collection, 1946/47).
Düsseldorf Municipal Archives, no. 0-1-4-3907.0000, Gottschalk Painting Collection, p. 165 (on the exhibition of the Gottschalk Collection, 1946/47).
"There are only very few paintings by Alexej von Jawlensky showcasing this level of quality, and most of them have been museum-owned for many decades. [..] The 'Spanish Dancer' is one of those few exceptional Jawlensky paintings that have made for the artist's worldwide fame today, just as they caused a sensation and provided inspiration back then."
Roman Zieglgänsberger
Modern Art Curator, Museum Wiesbaden
Called up: June 7, 2024 - ca. 18.14 h +/- 20 min.
38
Alexej von Jawlensky
Spanische Tänzerin, 1909.
Oil on cardboard
Estimation: € 7,000,000 / $ 7,490,000
Commission, taxes et droit de suite
Cet objet est offert avec imposition différentielle majorée d'une taxe à l'importation qui s'élève à 7% (réduction d'environ 5% par rapport à l'imposition régulière) ou avec imposition régulière.
Calcul en cas d'imposition différentielle:
Prix d'adjudication jusqu'à 800 000 € : 32 % de commission.
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 32 % de commission, montants partiels supérieurs à 800 000 € : 27 % de commission.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 22 % de commission.
La commission comprend la TVA, laquelle ne figure cependant pas sur la facture.
Calcul en cas d'imposition régulière:
Prix d'adjudication jusqu'à 800 000 € : 27 % de commission majorée de la TVA légale
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 27 % de commission, montants partiels supérieurs à 800 000 € : 21 % de commission, à chaque fois majorés de la TVA légale.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 15 % de commission, à chaque fois majorés de la TVA légale.
Si vous souhaitez appliquer l'imposition régulière, merci de bien vouloir le communiquer par écrit avant la facturation.
Calcul en cas de droit de suite:
Concernant les objets réalisés par un artiste dont le décès remonte à moins de 70 ans, des droits de suite seront facturés qui s'élèvent à 2,4 % de la TVA légale incluse.
Calcul en cas d'imposition différentielle:
Prix d'adjudication jusqu'à 800 000 € : 32 % de commission.
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 32 % de commission, montants partiels supérieurs à 800 000 € : 27 % de commission.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 22 % de commission.
La commission comprend la TVA, laquelle ne figure cependant pas sur la facture.
Calcul en cas d'imposition régulière:
Prix d'adjudication jusqu'à 800 000 € : 27 % de commission majorée de la TVA légale
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 27 % de commission, montants partiels supérieurs à 800 000 € : 21 % de commission, à chaque fois majorés de la TVA légale.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 15 % de commission, à chaque fois majorés de la TVA légale.
Si vous souhaitez appliquer l'imposition régulière, merci de bien vouloir le communiquer par écrit avant la facturation.
Calcul en cas de droit de suite:
Concernant les objets réalisés par un artiste dont le décès remonte à moins de 70 ans, des droits de suite seront facturés qui s'élèvent à 2,4 % de la TVA légale incluse.