Vente: 590 / Evening Sale 06 juin 2025 à Munich button next Lot 6


6
Egon Schiele
Sitzender Knabe, Draufsicht, 1918.
Chalk drawing
Estimation: € 100,000 / $ 113,000
+
Sitzender Knabe, Draufsicht. 1918.
Chalk drawing.
Signed and dated in the lower right. 30 x 46.5 cm (11.8 x 18.3 in), nearly the full sheet.
[KA].

• Masterfully executed drawing from the last year of the prematurely deceased artist's life.
• Made in the key year 1918: Schiele's artistic significance is evident in his sold-out exhibition at the Vienna Secession in March.
• Schiele opens up a new perspective on portraiture with this unconventional bird's-eye view.
• Significant provenance: formerly part of the renowned Serge Sabarsky Collection, New York, and in private hands for over 40 years.
• For the first time on the international auction market (source: artprice.com).
• Comparable drawings from this creative period can be found in important museum collections, including the Museum of Modern Art, New York, the Metropolitan Museum of Art, New York, and the Albertina, Vienna
.

We are grateful to Jane Kallir, Kallir Research Institute, New York, for her kind expert advice.

PROVENANCE: Private collection, Germany.
Galerie Ilse Schweinsteiger, Munich (1982).
Serge Sabarsky Gallery, New York (with a label on the reverse of the frame).
Private collection, USA (acquired from the above in 1983, in family ownership since).

EXHIBITION: Expressionisten 2. Aquarelle, Zeichnungen, Ölbilder, Galerie Ilse Schweinsteiger, Munich, winter of 1982, cat. no. 74 (illustrated).

LITERATURE: Jane Kallir, Egon Schiele. The Complete Works. Including a Biography and a Catalogue Raisonné, New York 1990, cat. no. 2174 (illustrated in b/w).
Jane Kallir, Egon Schiele. The Complete Works. Including a Biography and a Catalogue Raisonné, Expanded Edition, New York 1998, cat. no. D 2174 (illustrated in b/w).

Called up: June 6, 2025 - ca. 17.40 h +/- 20 min.

Characterized by its provocative intensity, emotional, subjective nature, and distinctive expressionist style, Egon Schiele created an oeuvre during a short life lasting only 28 years, leaving an indelible mark on modern art. The young artist soon proved to be a rebel, not only through his groundbreaking visual language but also in the social context of a time in Vienna that was determined by political uncertainty, economic instability, and moral rigidity. His encounter with Gustav Klimt and Viennese Modernism marked a decisive turning point for Schiele: he left the academy. He developed a bold new artistic style that addressed existential themes such as identity, sexuality, and psychological depth with brutal honesty.
The drawing “Seated Boy, from above” was created in 1918, the last year of his tragically short life. The works from this late phase of his career show an artist putting increasing emphasis on portraiture – creating both works in an openly provocative manner that earned him the hostility of Austria's puritanical society and more tranquil, contemplative studies such as the present drawing. From a bird's eye view, Schiele's boy sits casually cross-legged, his head slightly propped up in his hand, his gaze directed forward, and his body shown in the somewhat distorted posture typical of Schiele. The unusual perspective lends the scene a quiet intimacy: the viewer takes on an observant, albeit distant position – and yet, the feeling of closeness prevails. Schiele gets the maximum expression while keeping things simple: clear lines, just a few details, and minimal shading. Despite the formal clarity, the figure shows a deep psychological complexity. The boy seems vulnerable yet present as if he's been captured in a moment of reflection. The drawing impressively illustrates how far Schiele had moved away from merely imitating his models. By this point, he had developed a visual language that finds expression in our work in the childlike innocence and vulnerability. The drawing thus becomes a testimony to a universal human experience—and the legacy of an artist who, like few others, made the emotional life of his time visible. [KA]




Commission, taxes et droit de suite
Cet objet est offert avec imposition régulière.

Calcul en cas d'imposition régulière:
Prix d’adjudication jusqu’à 800 000 euros : frais de vente 27%.
Des frais de vente de 21% sont facturés sur la partie du prix d’adjudication dépassant 800 000 euros. Ils sont additionnés aux frais de vente dus pour la partie du prix d’adjudication allant jusqu’à 800 000 euros.
Des frais de vente de 15 % sont facturés sur la partie du prix d’adjudication dépassant 4 000 000 euros. Ils sont additionnés aux frais de vente dus pour la partie du prix d’adjudication allant jusqu’à 4 000 000 euros.
La taxe sur la valeur ajoutée allemande, actuellement de 7 %, est perçue sur la somme du prix d’adjudication et des frais de vente.

Pour les entreprises habilitées à déduire la TVA, le régime fiscal général peut être appliqué.

Calcul en cas de droit de suite:
Pour les œuvres originales d’arts plastiques et de photographie d’artistes vivants ou d’artistes décédés il y a moins de 70 ans, soumises au droit de suite, une rémunération au titre du droit de suite à hauteur des pourcentages indiqués au § 26, al. 2 de la loi allemande sur les droits d’auteur (UrhG) est facturée en sus pour compenser la rémunération liée au droit de suite due par le commissaire-priseur conformément au § 26 UrhG. À ce jour, elle est calculée comme suit :
4 pour cent pour la part du produit de la vente à partir de 400,00 euros et jusqu’à 50 000 euros,
3 pour cent supplémentaires pour la part du produit de la vente entre 50 000,01 et 200 000 euros,
1 pour cent supplémentaire pour la part entre 200 000,01 et 350 000 euros,
0,5 pour cent supplémentaire pour la part entre 350 000,01 et 500 000 euros et
0,25 pour cent supplémentaire pour la part au-delà de 500 000 euros.
Le total de la rémunération au titre du droit de suite pour une revente s’élève au maximum à 12 500 euros.